01
How I Got Here
Not the version that fits on a slide. The actual one.
I studied mass communication in Buenos Aires, which meant I left university knowing how to write, analyze media, and argue about semiotics at dinner parties. Useful in some rooms. Less useful when you're trying to wrangle a 77-film delivery schedule for a nonprofit in northeastern Brazil with a team of three.
Brazil · 2013–2018
Vídeo nas Aldeias
That nonprofit was Vídeo nas Aldeias, and the work there was unlike anything I'd done before. It operated Brazil's largest Indigenous audiovisual archive: 8,000+ hours of footage, 13,750+ photos, and zero existing infrastructure for organizing any of it. I built the cataloging system, the metadata taxonomy, the digitization workflow, and the distribution pipeline for 77 films across YouTube and Vimeo — each with subtitles, branding, thumbnails, and platform-ready specs. I also delivered filmmaking workshops inside Indigenous villages for a month at a stretch, working with community members who had no prior production experience.
That project taught me something that's been true in every job since: the work only survives if the system around it survives. You can make beautiful things and lose them to disorganization. You can have talented people and watch them burn through revision cycles because nobody wrote the brief properly.
Germany · 2018–2021
Dortmund
I took that lesson with me to Germany, where I spent three years building out the technical skills I'd been missing: motion design, 2D animation, graphic design. Structured self-study, Udemy certifications, and a lot of time in After Effects at odd hours. German to B2 along the way, because if you're going to live somewhere, you may as well be able to argue about the tram schedule.
Germany · 2022–2025
Learnship Networks
From January 2022, while still based in Germany, I joined Learnship Networks as Media Production Lead — a B2B EdTech company serving 2,000+ enterprise clients globally. The role has two parts that most job descriptions would split into two separate hires. That's intentional on my end — and the reason the results look the way they do.
Switzerland · 2025–Present
Savigny, Vaud
Moved to Switzerland in September 2025. Based in Savigny, Vaud, available for on-site roles in Switzerland or remote across Europe.
02
What I Actually Do
In plain language, not job description language.
Production
Video, Motion & Design
Hands-on, timeline-open work across marketing, sales, customer success, and learning content — 10+ concurrent streams at any given time. Video editing, 2D motion design, layouts, executive presentations. Script to export.
Operations
Workflows & Systems
Intake systems, template libraries, production trackers, capacity planning, stakeholder coordination. I designed and implemented the workflows that reduced production cycles by 45–65% and got us to a 98% on-time delivery rate.
Content
Strategy & Publishing
Ran a LinkedIn content program from August 2024 to October 2025 that hit 15%+ CTR and engagement with zero paid budget. The formula wasn't complicated: write for one specific person, and enough people feel seen that the numbers follow.
Why it matters
The Ops-Production Loop
The reason both parts matter, and why I don't separate them: I can brief work accurately because I understand what producing it actually costs. I can evaluate output without guessing. I can design a review process that doesn't add three revision rounds because I've been in the timeline myself.
03
What I'm Not
Worth saying clearly.
A pure video editor who also dabbles in project management.
A project manager who "has a creative eye."
An agency that will give you a different person for each brief.
What you get is one person who knows how the whole thing works, from the intake form to the export settings, and who has the receipts to prove it.
A note before you reach out: I'm not available for short-notice freelance sprints or spec work. I am available for roles where the creative and the operational are equally valued, and where someone who can do both is an asset rather than a category problem.
04
Location & Availability
Switzerland-based. Europe-ready.
Based in
Savigny, Vaud, Switzerland
Available for on-site roles in Switzerland or remote across Europe.
Languages
EN · PT · ES · DE
English (C2) · Portuguese (native) · Spanish (C1) · German (B2). Which means I can read a brief, catch a tone issue in translation, and have the feedback conversation in whichever language makes it least awkward.
Work permit
B-Permit
Portuguese/Brazilian national. Valid Swiss B-permit.
Currently
Open to opportunities
Demo reel in production. LinkedIn pre-launch sequence in progress. Site fully updated. Available for the right role.
The formal version
My CV covers Learnship Networks, Vídeo nas Aldeias, and the skills development period in Dortmund in proper chronological detail. It exists in two variants: one focused on media production, one on creative operations — because apparently I really do contain multitudes.